Reader Participation: Trivia That Isn’t.
41 Comments | Posted: March 27th, 2009 | Filed under: Reader ParticipationExample: Everyone knows that “Video Killed The Radio Star” was the first video played on MTV.
Put yours below.
Example: Everyone knows that “Video Killed The Radio Star” was the first video played on MTV.
Put yours below.

From what I can tell, the Green Lantern books have now spent a large chunk of about two years of storytelling to internecine combat between various factions who share the whole lanterns-and-rings motif. I actually quite enjoyed The Sinestro* Corps War and can see the appeal in exploring these new groups, but are the Green Lanterns still fighting people who don’t vomit blood or have oath and magic wishing ring on top of the rest of the junk that’s going on in the universe they’re supposed to be protecting? Is that being addressed?
*Sinestro. Were Genocidus or Stabbicon such great guys that they didn’t see that one coming? (Yes, it’s a hacky gag, but really. Sinestro.)
This article from Publishers Weekly has me thinking about outreach efforts like this, and I’d really love some anecdotal evidence from the funnybook slingers out there. This quote stands out to me, from Marvel’s David Gabriel:
Again the comic shops have the ability to reach a huge number of consumers as well. Look at the amount of fans driven into stores for the Death of Captain America, the unmasking of Spider-Man, the Dark Tower comics launch, and recently the Amazing Spider-Man #583 featuring Barack Obama on the cover. We’re pretty certain that this book has the potential to bring thousands of new faces into comic shops and from there be introduced to a whole new world of graphic novels.
I was talking to sometimes-writing-partner Josh the other day about satirical films and how so few of them have seen any massive box office success. Off the top of our heads, we listed Robocop, Dr. Strangelove, and Starship Troopers*. Thank You For Smoking made a nice profit for itself ($24m on a $6.5m budget,) but that’s where my list ended. Discounting our love of movies like Idiocracy, what social** satires can you name that have made significant money for “the suits”? I feel like I have to be missing something here.
(Or am I overestimating people again? I am, aren’t I?)
*(The two Verhoeven-directed films from that trio feature sequels and ancillary material that replaced humor with po-faced, science-fiction cliché, reminding us that nerds ruin everything. I came close to including Total Recall as well, but it seems to be more in the Commando end of big stupid action movies that occasionally wink at the audience.)
**Thanks to MW from The ISS for pointing out that I was discussing social satire more than narrower, more genre-intensive versions.


For me, it’s Steve Lafler’s Bughouse stories, perfectly constructed downbeat jazz dramas in a word inhabited by insects, full of betrayal, romance, and drugs.
Put yours below.

THE ESSENTIAL BLACK PANTHER
Written by DON MCGREGOR, JACK KIRBY & MORE
Penciled by BILLY GRAHAM, RICH BUCKLER, GIL KANE, JACK KIRBY, & MORE
Cover by JACK KIRBY
KIllmonger! Man-Ape! Baron Macabre! Kiber The Cruel! King Solomon’s Frogs? Thrill as T’Challa encounters the unusual and deadly in a series of Marvel Blockbusters where the fate of a nation — and the world — hang in the balance! This volume collects some of the Black Panther’s earliest stories from JUNGLE ACTION (Volume 2) 6-22 & 24 and BLACK PANTHER(Volume 1) #1-15 and MARVEL PREMIERE 51-53.
544 PGS / All Ages … $16.99