I should write about comics instead of just writing comics sometime, huh?

OK, here’s what I’ve been reading, with extremely brief notes.

1.
The new edition of Avengers Forever is a beautiful thing with larger trimsize giving Carlos Pacheco’s artwork the room it needs to really hit you. There’s a lot of cute throwaway details, but unless you’re a massive fan of The Avengers and excited about Kurt Busiek’s sometimes-too-neat superhero storytelling being wrapped around a near-incoherent plot involving time travel, Kang vs Immortus (who is also Kang) and something called the destiny force, I don’t actually recommend it.

2.
The praise I’d heard for Pluto: Urasawa x Tezuka is very justified. While the quick-and-dirty pitch is “Watchmen for Astro Boy,” Urasawa’s storytelling (which has grown by leaps since Monster, another series I’m catching up on) is nuanced and willing to let the reader work a bit and the emotional beats he hits are a bit stunning, especially considering how much of this work revolves around robots.

3.
Yotsuba&! #6 is likely the comic I’ve looked forward to the most this year, and yes, I know how creepy that makes me sound. Still, despite my inherent cynicism, there’s something so refreshingly irony-free about observing life with Yotsuba and I can’t help but get sucked in and laughing and worrying and cheering for her. It’s a bit like the Wachowskis’ Speed Racer that way — kid-friendly material that works on every level because it’s not aiming at anyone in particular.

4.
Boy, Philip Tan is not the artist I would have followed Frank Quitely with on Morrison’s Batman and Robin fourth issue. He certainly makes some game attempts to match Morrison’s scripting, but they come off as forced versus the effortless way that Quitely packs creatively-laid-out panels with detail and still manages to be readable. There’s a scene where a card is falling from the air and the camera tracks it into Batman’s hands and it lacked a certain kind of alchemy that Morrison manages to do with his best collaborators.

All of this aside, I absolutely love how these comics are scripted and how they play with conventions like titles and credits. It’s sort of the less-formalized version of All Star Superman and it makes each chapter’s inertia play out a certain way.

5.
I’m just going to presume Jeff Parker writes Agents Of Atlas for me and Chris Sims and the rest of you are lucky enough to be along for the ride. The latest issue has a terrific gag centering around a personality implant for M11 just identified as “The Greatest.” I won’t spoil it, but I’ll say it’s a perfect example of how to slip neat asides into your superhero comics without getting bogged down in the too-cute-oh-hey-here’s-a-meme syndrome that some writers fall into.

6.
You’re reading my new comic, right? OK, good.

I finally talk about some comics I’ve actually purchased.

Please note that these sort of reviews are going to be more sporadic going forward. I’m only buying a few titles a week and with people like Sims and Caleb writing nicely about the periodic titles, I just don’t see why you’d want me to bleat on very often.

Anyway.

The last issue of All-Star Superman is just about perfect. I won’t lie: I had a lump in my throat at least twice, but I am a soft damn touch when it comes to a well-done Superman story and this whole thing was exactly that. It was lovely to see a pair of creators who work so well together embrace the truly bizarre mythos attached to the character and use them for maximum effect while doing something new. While I’m certain I’ll enjoy upcoming Superman stories in the future, I’m also pretty sure that they’ll feel just the slightest bit hollow and sad in comparison.

The debut for Age of the Sentry features a flying corgi (complete with cape) and The Mad Thinker and The Terrible Tinkerer disguising themselves as directors shooting a series of public service announcements with a parasitic camera that sucks the title character’s strength and powers away. Yes, I’ll be reading more, particularly with Paul Tobin and Nick Dragotta involved.

David Tischman and Glenn Fabry’s Greatest Hits is so thunderingly obvious in concept that I’m shocked that I’ve not seen it before: Four British Pop Superheroes During The Sixties Operating As An Analogue To That Most Famous Of Pop Groups. It’s funny and savvy while offering further evidence that Vertigo’s slow reinvention of itself that began a couple years ago is a good thing.

Marvel Adventures Avengers continues to be the only iteration of that most favored of superhero team books that I’m reading. While Mighty Avengers and New Avengers (and soon, Dark Avengers, Nude Avengers and Diet Avengers) continue to ably serve as The Brian Michael Bendis Event Comic Backstory Hour, this comic actually – get this – has a team called “The Avengers” who go out and have adventures! This issue featured Luke Cage and His Momma and a story in which a cat from another dimension needed rescuing, along with a smartmouthed Hammerhead. That sort of thing is certainly more entertaining to me than Skrulls repeatedly cloning Reed Richards until one of the major plot holes of Secret Invasion gets filled in.

Finally, I found myself very much enjoying Jonathan Lethem and Farel Dalrymple’s Omega The Unknown despite my distaste for the author’s prose novels. It reads like a Jim Jarmusch superhero movie, sort of Ghost Dog meeting Spider-Man with enough truly Weird Shit to compare favorably with the original book that spawned it. Dalrymple’s art is as perfect a complement as I could imagine for the script: intentionally flat to the point that the surreal elements – a giant walking hand, for instance – pop that much more. Marvel’s $30 pricepoint may seem a bit high, Amazon has it for a very reasonable $20.

Kevin Reviews His Weekly Singles #16

I skipped last week. Deal. I’m also gonna skip Godland because it’s in the middle of an alternate universe storyline. I may also skip sobriety if today keeps going like it has been.

Final Crisis: Rogues’ Revenge #1

I’ve never read Geoff Johns’s Flash run, but the character’s gallery of baddies has always appealed to me, and the allure of a more robust Scott Kolins reuniting with the writer transformed a cursory flip-through into an impulse buy. While this title is mired in the recent past of the Flash titles (in particular, the Rogues’ participation in the murder of Bart Allen,) readers like me get all the information they need to actually understand the story presented, even if the events are tied into Morrison’s Final Crisis event. It’s nice to see DCU villains actually feeling penitent for their crimes without actually becoming antiheroes; they enjoy the game and feel it should have rules of conduct, a nice nod to the Silver Age ethos that I sort of miss, particularly in the titles most closely associated with that gee-whiz period.

My only caveat is that Johns once again indulges in the ultraviolence that defines his weaknesses in my head with the return of one villain. While I understand the desire to make sure we know how horrible a criminal is, there’s really no need to show their acts or the amount of blood they generate. While the tonal shift and its impact is obviously done for a reason, I still found it distasteful and, worst of all, lazy.

Marvel Adventures: The Avengers #26

So, in this issue, aliens come to earth demanding to know how we got rid of Galactus because dude’s around the corner and totally hungry and the Avengers are like “Well, Reed Richards did this thing we can’t do again” and the aliens are all like “Oh no” and Captain America is all “Let’s go try to help them out anyway” and they end up playing baseball, chess, and Texas Hold ‘Em for the sake of the aliens who are, by the way, total douchebags. All of that in one nicely-drawn, funny all-ages comic by Jeff Parker, Ig Guara, and crew that doesn’t talk down to the kids one bit.

Kevin Reviews His Weekly Singles #13

This week was one of the textbook examples of “Not Much Goin’ On For Ol’ Kevin” in the singles. Only three titles found their way into my bag, and I’m not going to talk about one of them because what can someone say about the middle chapter of a DMZ storyline other than “Brian Wood seems to know what he’s doing with this”? So, here’s…

Anna Mercury #2

There’s a very good bit in this issue that shows how Ellis manages to nail characters in ways that are almost subliminal. The director of Anna Mercury’s agency explains what’s going on to the new governmental leader. It involves parallel worlds, strange physics, and Anna Mercury’s role in making sure the status quo is kept. He’s impatient, unable to explain everything in soundbites, and leaves the poor man flummoxed as hell, much like the readers, and that’s good enough. We sort of have a vague idea what’s going on, now let’s get back to Anna shooting the hell out of people. Yes, it’s got bits of Planetary in its DNA, particularly when you compare Anna to Jakita Wagner, but it’s got just enough new stuff to convince me to pick up the eventual trade.

Marvel Adventures Avengers #25

Jeff Parker + Arnim Zola = Love. Yes, it’s just that simple. Ig Guara’s art has a few moments where it just shines, particularly around the comedic beats, even if his action storytelling needs just a bit of work. This single issue perfect example of light superhero entertainment that is very comfortable with what it is and manages to engage readers at just about any possible age group. Here’s a preview so you can figure out if you want to pick it up next week.

Wow, this is short this week. I better come up with something that’ll earn those links.

Oh! I know!

A Picture Of Nerd Heaven