WHAT I’VE BEEN WATCHING: Lolita

1 Comment | Posted: July 26th, 2011 | Filed under: What I've Been Watching

Since today was Stanley Kubrick’s birthday — he would have been 83 — I decided to watch Lolita for the first time since I was closer to Humbert’s age than Lolita’s. It was just as good as I remember, but there’s a few things that I appreciate more now that I have a few more brain cells to scrape together.

1.
James Mason was a wonder, wasn’t he? Alternately pugnacious and charming, he really occupied his role perfectly. It’s remarkable how sympathetic I found myself, really, because he’s more than a bit of a bastard.

2.
Sue Lyon. Golly, is that uncomfortable or what? Even with her having 2 years on the novel’s version of the character, she’s so very charming and sweet and real and boy I feel creepy just typing that.

3.
Oswald Morris’s photography takes all the cinematic tropes of the time and uses all of its tricks to his advantage. I love how subversive this film feels in this aspect, something that reminds me very much of the much-more-modern Burn After Reading.

4.
I genuinely forgot how funny the movie was, and not just in the uncomfortable, black manner. The scene with the cot builds to a comedic crescendo that rivals Some Like It Hot for slapstick comedy, even as it reinforced our protagonist’s predicament.

5.
Every year I get closer to inevitable death, I appreciate Peter Sellers more. Can we retroactively give him all the Oscars? Please?

6.
Let’s not ever discuss the Adrian Lyne version. Ever.

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One Comment on “WHAT I’VE BEEN WATCHING: Lolita”

  1. 1 keith said at 7:35 am on July 27th, 2011:

    WEIRD. I’m in the middle of a Lolita reread, and have already finished the art for the Lolita-based next English Majeure strip. GET OUT OF MY MIND, CHURCH.

    Even though I love the book and love Kubrick, somehow I’ve never seen Kubrick’s Lolita (I’m ashamed to say I saw the Lyne version in the theater when it came out). I need to.

    And:
    It’s remarkable how sympathetic I found myself, really, because he’s more than a bit of a bastard.

    It’s interesting, I think that’s Nabokov’s big trick, making you wake up and realize you’re rooting for a monster. Of course Kubrick would pull it off as well.